poem by Virginia Hamilton Adair

The sea of clouds at my feet clears, revealing a field of grain, and standing about it a small flock of fowl, not two alike, in somber plumage: a miniature peacock, very slender, with its little crest and unfurled tail feathers, some plumper specimens, and a shore bird on long stems….The birds have turned into little men and women in medieval attire, all strolling away from me. I see only their backs, short tunics, tights or leggings, shawls or kerchiefs….Opening my eyes on the smoke screen of my room I am treated to stabs of sapphire, bags of rubies scattering across the night, a legless vaquero in a checked shirt stuck on the back of a small steer, bucking, the orange velvet head of a bear decapitated, poor thing, by the guard of the Yellowstone Hotel garbage pit.

 

After she went blind she started seeing things. Adair’s form of hallucination is called Charles Bonnet Syndrome, or CBS, and it’s unlike the kind of hallucinations that come with schizophrenia—for one thing, people with CBS know they’re hallucinating. She uses this hallucinations in her work.

 

 

Realiteit?

Waar ligt de grens tussen de realiteit en de hallucinatie?
Is wat wij zien niet echt? Of is het echt voor ons omdat wij het zien?
Wanneer wordt denken, inbeelden een hallucinatie? Zien wij dan geen dingen die er niet zijn?